Charles Michel said in his statement about Queen Elizabeth II: “Her inspiration has spanned generations”. Here is the full statement:
We remember a remarkable woman today. A remarkable human being. Who shouldered an immense responsibility over the past 70 years. Her inspiration has spanned generations. And touched the lives of so many.
While we all mourn the passing of Queen Elizabeth the Second, we also consider her reign. It has left a legacy like few others in European and global history. From the turbulent years of the Cold War well into the globalised era of the 21st century.
For many, she was an anchor of stability in a rapidly changing world. She was once called “Elizabeth the Steadfast”. She was indeed a wise leader who never failed to show us the importance of lasting values in this modern world – values like service, commitment, and tradition.
She once said: “grief is the price we pay for love”. She was respected, esteemed, and sincerely loved by so many around the world. Our thoughts are, first and foremost, with the King and the Royal Family, with the people of the United Kingdom, and the Commonwealth.
For us in the European Union, her reign covered almost the full arc of post-war European integration. We will always remember her contribution to reconciliation among our nations after World War II and the Cold War. She had experienced the devastation of World War II and knew the importance of trust and cooperation among our countries.
Many of our past and present European leaders have experienced her warm hospitality. So did I at several occasions.
We will do our part to carry on her legacy. Her special legacy of building bridges and of building trust among nations.
Retba is not one of the most popular natural attractions in Africa, but it is definitely one of the most extraordinary. Located on the Cap Vert Peninsula less than an hour from the capital Dakar, the Pink Lake, as it is known locally, attracts visitors due to its unusual and rich color. It is separated from the Atlantic Ocean only by wide sand dunes and predictably has huge levels of salinity. In comparison, during the dry season of the year, salt levels exceed those of the Dead Sea.
But where does the pink color of Retba come from?
The reason for this is the cyanobacteria that thrive in the lake due to its salinity. The bacterium emits a reddish hue as it attracts and absorbs the sun’s rays. This creates its unique color, which is most noticeable during the dry period from November to June. The bacterium is completely harmless to humans and swimming in the lake is allowed, but be aware of its characteristic heat, compared to warm syrup.
Workers scoop the salt with their bare hands from the bottom of the lake, put it in baskets and carry them to the shore
The pink lake is quite “shy” and does not reveal itself to everyone. Its color is very fickle and depends on factors such as light and algae. Few visitors have seen its bright pink appearance. Sometimes the lake looks darker, even brown in color.
Almost no living organisms manage to survive in the home of Retba salt, which reaches 40 percent
Therefore, the lake is mainly used as a tourist attraction and for the production of salt, of course. If you visit, you will witness the gleaners in the water and their huge mountains of salt on the shore. The locals scoop up the salt with their bare hands from the bottom of the lake, put it in baskets and carry them ashore. To protect their skin from the long hours in the water, the workers use shea butter, known in Senegal for its cosmetic properties, which is extracted from the karite tree. And as an attraction for tourists, sailing on a wooden boat is offered.
Despite the grueling heat and conditions, the local people are happy and relaxed
Retba is not the only pink representative of lakes on Earth, but it is the largest natural pool of its kind. Its area is about 3 square km, and the maximum depth is 3 meters. On Australia’s Middle Island, there is another similar phenomenon – the mysterious and isolated pink Lake Hillier, the depth of which reaches a remarkable 600 meters.
Photo: Workers remove the salt with their bare hands from the bottom of the lake, put it in baskets and carry them to the shore / iStock by Getty Images
Cat fur generally does not harm humans, but some owners may be sensitive to purring animals and suffer from allergies. Although there is a perception that people are allergic to cat fur, this is not entirely the case.
The sources of allergens that cause some people to suffer from the proximity of a cat are the saliva and urine rather than the fur of the cat.
When meowing animals wash themselves by licking their fur, they can spread particles of hair at home, which are called dander. Because cat dander spreads absolutely everywhere, humans can be sensitive to it, but it is generally not the cause of an allergy in itself. The cat got it off her fur after licking herself to clean her fur. So she spread allergens from her saliva on it, as a result of which – many people can start to sneeze.
To reduce the spread of cat dander at home, you should brush the fur of the meowing pet regularly. This, along with regular house cleaning, can help desensitize your pampered pet.
Safe control of cat hair and dander
You may not like it when your cat sheds fur on your sofa or you find cat hair on your favorite sweater, but as we said – cat hair itself is not a health risk.
Dander is flakes on the cat’s skin
Whether you have a long-haired or a short-haired cat, there is no way to stop shedding. However, you can significantly reduce its shedding and spread throughout the home by brushing it. Regular grooming of a cat’s fur should ideally happen on a daily basis, although this depends on the season and the type of fur that the pet friend has.
Bathing at regular intervals can also greatly alleviate the situation if your home is covered in cat fur. Nutrition is just as important, as quality food is not only important to the health of your meowing friend, but is also a factor in keeping his coat healthy, shiny and beautiful.
How to confirm your allergy to cats?
Allergies that people suffer from have different dimensions. Some people may sneeze or feel itchy eyes in the presence of a cat. More severe symptoms may include wheezing. These reactions can occur if a sensitive person enters a room where a cat has been, even if the cat is not present.
Allergies and sensitivities can be difficult to determine because most people are exposed to multiple possible allergens at once. The best way to confirm a suspected cat allergy is to see a doctor for an allergy test.
Reducing exposure to cat hair
There are several ways to reduce exposure to cat dander and make your home more comfortable for someone sensitive to cats. If you are the one with allergies, delegate the bathing and brushing of the cat to someone else. Home hygiene is also a very important factor. Regular cleaning of surfaces to remove cat dander will greatly relieve your symptoms.
Don’t forget to wash your hands regularly, and as an additional measure, experts recommend keeping the purring pet out of the bedroom.
Although it can be a challenge, confining the cat to one part of the house can provide the most relief for someone who is allergic to cats. Placing the litter box near a window, frequent airing, hand washing and house cleaning can greatly help you live with a purring pet. However – if your allergy is severe and your life seems to be becoming complicated and even dangerous – you may want to consider whether it is okay to continue living with your furry pet and whether to find another loving home. As difficult as this decision is, it is important for your health.
In the Synod Cathedral in San Francisco, Archimandrite Cyprian has painted the iconostasis and complete interior according to the traditions of ancient Moscovy and northern Rus. If we listen to opinions concerning this iconographic style, then along with enthusiastic comments, unfortunately, one can also hear such remarks that testify to the ecclesiastical bad manners of secular critics and to their misunderstanding of the very principles of icon-painting.
Making the demands of icon-painting that can only be made of secular art, incompetent critics look at ancient icons and observe in them a violation of the laws of perspective, erroneous anatomy, non-observance of proportion.
For a correct understanding of ancient icon-painting, it is absolutely necessary to get rid of the view that it is some variant of secular painting. The principles of secular art and the principles of iconography are not only different but even opposed.
Secular painting depicts the real world, the three-dimensional world which is subject to the laws of space and time. Iconography depicts another world, a transcendental and eternal world where the laws of perspective, anatomy, fluctuation of light and shade are powerless. In iconography “there is no material nature; neither days nor nights nor gravity nor space in the human sense, nor time … The terrestrial sun never rises and sets in the celestial land of unutterable Light. And that is why changes from one tone to another, in colorful combinations, are absent. … And that is why the subjects do not cast a shadow, and we do not become aware of their weight, and their size is not subject to spatial perspective.” (Serge Makovsky)
For a correct understanding of icon-painting, it is necessary, first of all, to bear in mind that being a powerful subsidiary means of prayer for man, it must follow those demands whick flow from prayer and not those which flow from secular art. Prayer, according to ascetic rules, must be “unseen”, i.e. not arouse any clear pictorial image in the imagination. An icon must be so painted that it stimulates only one reverential feeling of presence before the Lord, and not the imagination of the Lord Himself. (the same can be said concerning the portrayal of the Mother of God, the angels and the saints.) Therefore, whereas secular art is more valuable the more it arouses a vivid picture in the beholder, iconography is more valuable the less it acts upon the imagination of the person praying.
The second ascetic rule of prayer is abstention from every attempt to attract one’s heart to participation in it by means of artificial arousal in the heart of premature conditions of special compunction or a sweet feeling of divine grace. One absolutely ought not to be concerned with tender sentiments during prayer. They come by themselves without any of one’s own efforts, exclusively by the action of God’s grace. The main concern during prayer must only be full concentration of attention on the contents of the prayer. The Holy Fathers say that one’s whole mind must be devoted to every word of the prayer. And in the course of time, such attention to prayer brings the heart into participation. The only feeling during prayer that is recommended by the ascetic rules is weeping and contrition for one’s sins. A contrite awareness of one’s sinful infirmity leads one to humility and repentance, that is, to that which is the necessary condition for correct spiritual perfection.
Now such ascetic restraint upon one’s imagination and the stirrings of one’s heart during prayer is at first achieved in a dry, tight and narrow way. But, according to the words of Christ, it is only by the “strait gate” and “narrow path” that one can enter the Heavenly Kingdom. Our natural forces, corrupted by sin, untransformed by the grace of God, cannot lead us to true feelings of sanctity. In their place, one erroneously often takes the flushes of blood and nerves for prayerful ecstasy. Such flushes have nothing in common with a genuine state of grace. The real presence in our heart of the grace of God is characterized by amazing peace, but not by flushes (Gal. 5:22). The voice of God is the voice of a “gentle breeze” (3 Kings 19:11-12), and not of excitement.
In complete conformity with this rule of prayer, iconography must not be concerned with the portrayal of the spiritual state of holy persons. Feelings of holiness and states of divine inspiration must be unknown to the humble iconographer, imbued with an awareness of his own sinfulness.
When secular painters, unacquainted with the ascetic rules and not having humility, daringly attempt to depict states of holiness only on the basis of their imagination, then instead of divine inspiration, an unhealthy hysteria inevitably results upon the canvas. It is well known how one talented painter who attempted to portray the feelings of the holy apostles at the moment of the descent of the Holy Spirit, as a matter of fact depicted an ecstatic dance of pagan priests and not the divinely inspired state of the holy apostles.
The only state which prayer and the prescribed form of an icon permit is humility and repentance. The bent figures of saints, the ascetic sternness of their faces, the prayerful inclination of the head and position of the hands – all this wonderfully evokes penitence and the seeking of the Heavenly Jerusalem.
The ancient icon constitutes one indissoluble whole with the church and subordinates itself to the architectural design. Therefore, in almost all ancient icons, “in keeping with the architectural lines of the church, mortal figures were sometimes excessively rectilineal; sometimes, on the other hand, they were unnaturally curved – in conformity with the lines of the arch. Being subject to an urge upwards for a high and narrow iconostasis, these icons sometimes became excessively elongated, the head being disproportionately small in comparison with the body, later becoming unnaturally narrow in the shoulders with the emphasis on the ascetic exhaustion of every figure (Prince Eugene Trubetskoi).
The design of an icon conveys one of the central ideas of Orthodoxy. “In that supremacy of architectural lines over the human figure, which is observed in it, is conveyed the subordination of man to the idea of the church, the predominance of the ecumenical over the individual. Here man stops being self-sufficient in his personality and is subjected to the general architecture of the whole” (Prince Eugene Trubetskoi).
The first powerful stimulus which made the Russian people acept Christianity was the beauty of Orthodox churches. The envoys of the holy Prince Vladimir, as the chronicle relates, standing in the cathedral of the Holy Wisdom in Constantinople, could not say where they were – in heaven or on earth. And this unearthly beauty, which affected the Russian people on the threshold of their Christian history, became the main inspiration for their subsequent church culture. In no other area of spiritual culture did the Russian people attain such high achievements as in the area of iconography, ancient example of which are now recognized as an unequalled contribution to the world treasure-house of art.
On Monday, September 5, Serbian Patriarch Porfiry presented Hungarian Prime Minister Viktor Orbán with the golden degree of the Order of Saint Sava – as a reward for his efforts in defending Christianity in Hungary and throughout Europe, promoting Christian values, as well as because of his personal contribution to the friendship between the Hungarian and Serbian peoples.
At the awarding ceremony, the Serbian Patriarch emphasized that Viktor Orbán is a unique statesman in Europe who “fights for the soul of Europe” and whose words are listened to by other peoples, including the Serbs.
In accepting the award, the Hungarian Prime Minister emphasized that he was proud to receive it from his brother, a Serbian Orthodox Christian. “We are peaceful people, we want peace, but there is really a war for the soul of Europe, and without Christian unity – including Orthodoxy – we cannot win this battle,” the prime minister said.
St. Sava was the first archbishop of the Serbian Orthodox Church. It awards the distinction in his name to ecclesiastical and secular figures of outstanding merit.
Serbian Patriarch Porfiry wrote on his Facebook page:
“Today at the seat of the Government of Hungary, in the presence of Bishop Irinej Bački, member of the Holy Synod of Bishops, and Metropolitan Luka, Bishop of Budinski, I awarded the Prime Minister of Hungary, Mr. Viktor Orbán, with the highest award of the Serbian Orthodox church – Order of Saint Sava, first degree.
The high award was presented to Mr. Orbán as a sign of gratitude for the affirmation of traditional Christian values, for the selfless support of the Diocese of the Serbian Orthodox Church in Buda, and for an outstanding personal contribution to strengthening the friendship between our two neighboring nations.
Worthy!”
Source: hungarytoday.hu
Featured photo: MTI/Miniszterelnöki Sajtóiroda/Fischer Zoltán
This week, California launched “its most aggressive effort yet to combat climate change,” the New York Times reports.
The publication added: “Lawmakers have passed numerous bills designed to reduce emissions and divest from fossil fuels.”
Lawmakers “approved a record $54 billion in spending to fight climate change and passed sweeping new restrictions on oil and gas drilling, as well as a mandate that California stop adding CO2 to the atmosphere by 2045,” the paper explained, adding:
The bills, passed late Wednesday night at the end of a hectic two-year legislative session in Sacramento, marked a victory for Gov. Gavin Newsom, a Democrat who has sought to cast himself as a climate leader as he boosted his national profile and began attracting speculation about a possible run for the White House.”
Under the new legislation, the state “will now have to cut emissions by at least 85% by 2045, offsetting any remaining emissions by planting more trees or using still-expensive technologies such as direct air capture,” the paper said, noting that “legislators had previously set a legally binding goal for California to reduce its greenhouse gas emissions 40% below 1990 levels by 2030.”
Inside Climate News reports that the state has also passed legislation banning new oil and gas wells from being built less than 3,200 feet from homes, schools, nursing homes and other so-called “sensitive receptors.”
While nature gives man true beauty, he increasingly turns to the artificial. Among the mass of tasty but low-quality products, it is difficult to find something that is beneficial for the body. That is why in recent years the call for healthy and environmentally friendly products has become almost a trend.
Honey has become one of the most sought-after honeys, and rightly so. All the healing properties of honey are indisputable. Most doctors recommend regular and systematic use of bee products. It strengthens the cardiovascular system, supports the healthy functioning of the liver, kidneys and gastrointestinal tract. In addition, honey is a powerful force in the fight against certain diseases.
Hundreds of years ago, honey was revered by healers, rulers and commoners. With the daily consumption of bee products, you can purify the blood, strengthen the immune system and protect yourself from colds and heart diseases. Do you suffer from insomnia? Drink milk with honey before going to bed and the problem will stay in the background. No appetite in the morning? A glass of water and a tablespoon of honey will give you a feeling of fullness for several hours, protect your stomach and saturate your body with vitamins and trace elements. The trace elements in the composition of honey are responsible for the health of the whole organism:
– Potassium and magnesium in it preserve youth;
– Iron and manganese contribute to the proper absorption of food; – Nicotinic and ascorbic acid, carotene, vitamins of group B, contained in honey, strengthen the nervous system, increase resistance to various infections and visual acuity;
– Glucose and fructose increase glycogen reserves, having a beneficial effect on liver function and significantly improving tissue metabolism.
– Honey is a powerful antimicrobial agent with a broad spectrum of action. The antibacterial components of honey work synergistically to effectively fight a variety of microorganisms, including multi-drug resistant bacteria.
– It also has an antiviral and antiparasitic effect and plays a role in the anti-inflammatory effect on the organs of the gastrointestinal tract, and also has a beneficial effect on the respiratory system and the nervous system.
– Honey finds its application in athletes, as it allows you to quickly inactivate free radicals formed during sports activities.
– Thanks to the high content of polyphenols, it helps prevent vascular atherosclerosis, that is, it has a protective effect on the cardiovascular system.
Honey is quickly absorbed by the body and provides an instant boost of energy, so it is often recommended to be eaten during recovery from illness or during periods of intense mental or physical stress. The composition, taste and color of the different types of honey depend on the type of plant source, the geographical area, the climate and the different types of bees involved in honey production, as well as the methods of processing and storage.
What can go wrong with corn? It’s delicious, it has a variety of uses, it’s nutritious – what else do we need to know about boiled corn? Want to know about the potential side effects of eating too much corn?
Not only will we detail the consequences of eating too much corn, but we’ll also let you know how corn is not a vegetable! Yes, you got it right! Corn is not a vegetable, but it is a food grain. Originally grown in Central America and Mexico, corn is now widespread throughout the world.
Whether you eat it as roasted corn on the cob or its kernels boiled, buttered, salted or pureed in soups and sauces, corn is one versatile ingredient that can be a good healthy food option at any time. Besides the common yellow corn, other varieties can be brown, purple or blue. Apart from these, could there be another darker shade of corn? Is there any possible risk associated with eating too much corn?
While you may enjoy the subtle sweet taste of corn, it is wise to be aware of the potential health issues associated with its consumption. Read on to learn more.
Corn is full of nutrients that promote overall health. However, the side effects of corn related to excessive consumption should also be noted.
Corn can aggravate pellagra, bloating, flatulence and cause stomach upset. It can also cause tooth decay and increase the risk of osteoporosis and weight gain. Excess starch in corn can also cause lethargy.
It is also not suitable for people with diabetes. Most of these so-called negative effects of corn can actually be counteracted with a balanced diet. For the rest, well, just watch the portion size! Therefore, moderate consumption is recommended.
Is corn good for the lungs? Yes, eating corn in moderation is good for the lungs.
Is the boiled corn sour? Yes, boiled corn is sour. If mixed with oil, it can further worsen acidity symptoms and cause heartburn.
What is the best time to eat corn? Corn can be a healthy addition to any meal of the day. However, many prefer it as an afternoon snack.
Turkish President Recep Tayyip Erdogan said at a press conference on September 7 that during the meeting with Serbian President Aleksandar Vucic, the importance of peace in the Western Balkans was once again confirmed, reports Kosovo-online.
Erdogan said he was very pleased as the agreement was signed when it comes to crossing administrative lines with only ID cards of Serbian and Kosovo citizens and said that Turkey is ready to provide support in any way to reach a solution in the relations between Belgrade and Pristina. He added that he hoped that an agreement would be reached on the registration numbers as soon as possible, as well as on other problematic issues.
“We have always sincerely supported solving problems through dialogue and will continue to do so,” Erdogan said.
He emphasized that his visit to Serbia will bring special results both for the two countries and for this region.
The President of Turkey thanked Vucic for his hospitality and stated that the talks were extremely fruitful.
He also added that the two presidents exchanged views on the development of Bosnia and Herzegovina.
“Our relations with Serbia, which are at an excellent level, are developing every day. Serbia will be the sixth country whose citizens will be able to travel to Turkey only with an ID card with a chip,” Erdogan added.
He said that the first steps on this topic have been taken since yesterday in BiH and added that the agreements will be signed at the UN General Assembly.
“Our economic relations are the driving force of our cooperation, the volume of our trade exchange continues to grow steadily despite the pandemic. Last year, the growth was 33 percent, and the overall target is five billion dollars in trade exchange,” Erdogan said.
The Serbia-Turkey business forum that we will be attending is, in his opinion, an indication of our goodwill, the Turkish president added, and stated that Turkish companies have $800 million worth of jobs in Serbia.
“When it comes to the Novi Pazar-Tutin road, it is the result of Vucic’s visionary approach. The Turkish Cooperation and Coordination Agency is implementing 350 projects in Serbia and we will soon start the renovation of the Bayrakli Mosque,” Erdogan announced, saying that every year millions of citizens travel to Turkey via Serbia.
The Paradoxes of Russian Cultural Development – Maximalism –
Culture is related to the sense of measure – to the sense of one’s own limit. Even the ancient Greeks, the creators of one of the world’s greatest cultures, in a certain sense the mother of our modern culture, placed the concept of μέτριος – an adjective meaning exactly measure, harmony,[1] and therefore the natural limitation of all perfection. And measure implies order, structure, structure, form, correspondence of form and content, completeness and completeness. It is obvious that the artists in this cultural tradition understood that the most difficult thing in creativity is precisely in self-limitation, in the recognition of one’s own limit and in a kind of humility before it.
At the same time, one of the paradoxes of Russian culture consists in the fact that, from the very beginning, its most important component turned out to be a kind of denial of precisely this μέτριος – that kind of pathos of maximalism, which seeks to eliminate both measure and on the border. The paradox of this feature lies in the fact that the pathos of maximalism is inherent precisely in Russian culture itself. Both earlier and outside of Russia, maximalism, fanaticism, the denial of culture in the name of whatever values, very often led to the destruction of cultural values, but this was clearly a manifestation of something outside of culture, of the anti-cultural. In our country – and this is exactly the paradox – the feeling of this, this urge was inherent in the very bearers of culture, its creators. And this has brought and brings a particular polarization within the culture itself, making it fragile and often controversial – even, in a literal sense, ghostly.
The sources of this maximalism must be sought in Ancient Russia’s perception of Byzantine Christianity. Hundreds of books have been written about the meaning and significance of this fundamental fact of Russian history; in one way or another, he has always stood at the center of Russian disputes and searches. Its special significance for the destinies of Russian culture makes us turn to it again and again.
We will dwell on only one of the sides of this phenomenon, which will help us to explain the constant tension in Russian cultural self-consciousness – its constant turning to some truly explosive maximalism. There are many Russian historians who note the relatively easy acceptance of Christianity by Russia, in its Byzantine guise. Much less often, however, attention is paid to the fact that, in the process of this acceptance, far from everything included in the concept of Christian Byzantinism was assimilated.
The fundamental difference between the “Byzantine and Russian versions of Christianity” was that Christian Byzantium was the heir of such a rich and deep Greek culture, while Kievan Rus did not possess such a cultural heritage. For the Byzantine, Christianity was the crowning of a long, complex and infinitely rich history, it was the ecclesiasticalization of an entire world of beauty, thought and culture. Ancient Russia could not have such a cultural memory and such a sense of crowning and completion. Naturally, in this situation, the maximalism inherent in Christianity was perceived differently in Byzantium, on the one hand, and in Russia, on the other.
That Christianity is maximalist is beyond dispute. The entire Gospel is built on the maximalist appeal: Seek first the Kingdom of God,[2] on the offer to throw away everything, deny everything and sacrifice everything – for the sake of the coming, at the end of time, of the Kingdom of God. And it cannot be said that Christian Byzantium somehow “minimized” this appeal, that it softened its decisiveness. However, in the complex system of Christian teaching developed by Byzantium, the maximalism of this teaching is presented in a kind of hierarchy of values, in which they found a place, and thus in a way the values of this world and, first of all, the values of the culture. The whole world was as if covered by the majestic dome of Saint Sophia – Wisdom of God, pouring its light and blessing over all life and over all human culture. However, the dome of the Kiev “Saint Sophia”, built according to the Byzantine pattern and inspiration, had in its own sense nothing to cover and bless – the ancient, just-emerging Kievan Russia did not possess any hierarchy of values, which had to be reconciled with the maximalism of the Gospel. For this complex but also harmonious relationship between culture and Christian maximalism, which is the essence of Christian Byzantium, in Russia, itself, there was neither place nor data, because one of the constituent parts of this relationship was not there. namely, the old, rich and deep culture.
Ancient Russia did not have to experience the long, complex and often particularly painful process of reconciliation of culture with Christianity, of the Christianization of Hellenism and the Hellenization of Christianity – processes that marked five or six centuries of Byzantine history. Ancient Russia had almost no history. Which in turn means that Byzantine Christianity was adopted in Russia both as a faith and as a culture, and that, in this way, the maximalism inherent in the Christian faith turned out to be practically one of the main foundations of its new culture.
Accepting Byzantine Christianity, Russia was not interested either in Plato, or in Aristotle, or in the whole tradition of Hellenism – in anything that remained a living and vital reality for Christian Byzantium. Ancient Russia did not give a single particle of its soul, its attention and its interest to Byzantine culture. Historians emphasize that, regardless of the abundance of its ecclesiastical and political ties with Constantinople, Russia, with all its soul, aspired not to it, but to Jerusalem and Mount Athos. To Jerusalem, as a place of the real history of Christ – of His humiliation and His sufferings, and to Athos, to the monastic mountain – as a place of a real Christian feat. That the image of the evangelical – the crucified and humiliated Christ, together with the image of the hero-monk, with the image of the ascetic – pierced the Russian self-consciousness much more than all the subtleties of Byzantine dogmatics and all the splendor of the Byzantine ecclesiastical-cultural world. In a truly amazing way, Russian Christianity began without its school and school tradition, and Russian culture somehow at the time turned out to be centered in the temple and in worship.
Of course, the Russian Christian culture also began to be created. It is one thing, however, when the temple was built in the center of the ancient – fertilized by culture – Greek city, in which one of its tasks turned out to be the joining of culture with Christianity, in the Christianization of this culture, and quite another when this same temple was showed everything: both faith and culture. And that’s exactly what happened in Russia. Its culture, its true culture, turned out to be concentrated in the temple, where the essence of this culture became, so to speak, self-reproach, the appeal to that maximalism which requires renunciation of the world. And all that is true, all that is beautiful and great in ancient Russian culture is, at the same time, a call to escape, to renounce, to liberate yourself. Or, if you don’t run away, to give your strength to the construction of one last, perfect, completely aimed at heaven and living through heaven, “kingdom”, in which everything without a residue will be subordinated to the one necessary.
This is how maximalism has become the fate of both Russian culture and Russian cultural self-consciousness. Not only in the past, but also later, when the immediate connection between Christianity and culture was broken, he was least of all inspired by culture as a measure, as a limit, and as a form. In a certain sense, it can even be said that in our country – in Russia – the very concept of culture did not arise, was not formed: for culture as a collection of knowledge, of values, monuments and ideas – a collection that is passed down from generation to generation per generation, for preservation and reproduction, but also as a measure of creativity. Because Christian culture, which found its expression in the temple, in worship and in everyday life, by its very nature turned out to be foreign to the idea of development and creativity, because it became sacred and static, excluding doubt and search; and in our country there was no other culture than this.
And that is why here too, every creativity, every search and change was felt as a rebellion, almost as sacrilege and anarchy, and thus the essence of culture was never understood as creative continuity. [Each creator turned out to be a revolutionary as well – he could create and create something fundamentally new, only on ruins, refusing to allow any development, any revision of what he had built.]
Such are the sources of maximalism – as a denial of measure and limit – that we so often have to face in the complex dialectic of Russian cultural self-consciousness. And this maximalism was not able to be eradicated even by Peter’s cultural reform, which brought Russia so sharply to the Western cultural tradition. And here, too, we can speak of a significant paradox: that one of the derivatives of this incorporation into Western culture – the great Russian literature of the 19th century – has turned out to be the factor for the West that explodes precisely the measure and limitations of Western culture from within, that she had introduced into her the explosive substance of such a search, of such insights and tension, which undermined her slender and measured edifice.
The famous words about the Russian boy who – having received a map of the starry sky – half an hour later returned it corrected,[3] are not devoid of deep justice. The Russians after Peter turned out to be amazing students. In less than a century, all the techniques of Western culture were assimilated by Russia. But the students, after learning, naturally and almost unconsciously returned to what had been instilled in them from the beginning, namely, to that maximalism, which in the West had been almost completely neutralized by centuries of mental and social discipline.
And this applies, albeit differently, to all three layers of Russian culture, to the three cultural groups that we talked about in our previous talk[4] – both in folk culture and in what we called technical-pragmatic, and, finally, in the Derzhavin-Pushkin-Gogol culture – this gradual accumulation of explosive maximalism is visible everywhere, as well as the feeling of the impossibility of being satisfied with culture alone; perhaps, because of the absence in it of the habits and methods that allow solving the questions that arise before the person. And this, in turn, leads us to the second paradox of Russian cultural self-awareness – the inherent minimalism that opposes the maximalism we talked about today.
Minimalism
In our previous talk about the foundations of Russian culture, we talked about maximalism – as one of the characteristic properties and even paradoxes of Russian cultural development. We associate this maximalism with the Byzantine-Christian sources of Russian culture, which gave it the aspiration to reach moral-religious perfection and left in the shadow, – somewhere on a secondary plan – the awareness of the need for everyday, planned and always inevitably limited cultural work. But as is well known, maximalism is almost always quite easily associated with minimalism. If someone wants too much, everything, the unattainable, such relatively easily, in the impossibility of achieving this everything, resigns himself to nothing. The “few” – “at least the few” – seem to him unnecessary, half-hearted, unworthy of his interest and efforts. [So, to a certain extent, it also happened in Russian cultural development, and historians and critics of Russian culture often point to this feature in our national image – of “all or nothing”; it—this trait—has also often served as one of the subjects of fiction.]
One hundred percent in affirmations leads to one hundred percent in negations, and this polarization can be traced here in the entire development of our national self-consciousness. Thus, for example, the history of the state and cultural creation of Muscovite Russia is matched and opposed by the history of its constant “dilution” from within by negation, by flight, by rejection. When, in the second half of the 15th century, the Muscovite state-national self-awareness was formed, it was immediately clothed in the extreme maximalist ideology of the Third Rome – the only, the last, purely Orthodox Kingdom, after which “there will be no fourth”.[5]
But this maximalist self-affirmation and self-exaltation – at the same time – was also accompanied by a kind of cultural nihilism. Particularly characteristic from this point of view was the so-called heresy of the Jews,[6] which in fact conquered almost the entire upper part of Moscow society at that time. Striking in this fascination was the ease of breaking with native tradition and an insistent, almost passionate desire to sever ties with all the usual criteria of faith, thought and culture, and to reincarnate into something completely opposite to them. The Novgorod and Moscow proto-popes – the color and support of the then educated stratum – secretly changed their Russian names to Hebrew-biblical ones, thereby denying in a certain sense their own personalities.
In reality, this was an unprecedented and mysterious phenomenon, but it is relatively easily explained by one of the peculiarities of Russian culture – with the recurring desire in it to get out of history and “action” or, in any case, to reduce one’s own our activity to the minimum – because of some otherworldly ideal, which in history, in our earthly life, in our “activity”, anyway, is something unrealizable. This minimalism of Russian cultural development is manifested, above all, in the stubborn resistance to any changes and to the very idea of reform, improvement and development. In what was written by Nil Sorski[7] – the head of the movement of non-appropriators, who protested not only against any “appropriation” [8] – of the Church, the monasteries and the clergy, but also against the very idea of any historical responsibility, for whatever one’s own work in history – there is also a peculiar flavor of anarchism, anti-historicism and quietism.
(to be continued)
Source: Schmemann, A. “Paradoxes of Russian cultural development” – In: Yearbook of the House of Russian Foreign Countries named after Alexandra Solzhenitsyn, M.: “Русский Пут” 2012, pp. 247-260 (in Russian).
[3] The words of Alyosha Karamazov are meant (see: The Brothers Karamazov, part 4, book 10, chapter 6): “… Not long ago I read the review of an overseas German living in Russia, about our today’s learning youth, who says: “Show a Russian student a map of the starry sky, of which he had no idea until then, and he will return it to you tomorrow all corrected.” No knowledge and unselfish conceit – this is what the German wanted to say about the Russian student” (See: Dostoevsky, F. M. Polnoe sabrany sochinenii, item 14, p. 502).
[4] Namely, in the third, but the first preserved, of the entire series of talks by Father Alexander, Basics of Russian Culture: “Culture in Russian Self-Consciousness” [“Culture in Russian Self-Consciousness”] – In: Ezhegodnik…, pp. 242-247 (note trans.).
[5] We are talking about the ideologeme “Moscow – Third Rome”, which was proposed by the elder Philotei (c. 1465 – 1542) of the “Pskov-Eleazar Monastery” and which was shaped in the form of a letter to the Grand Prince of Moscow Vasiliy Ivanovich and to the royal secretary M. G. Munekhin thus: “Preserve and take care, pious king, that all the Christian kingdoms may gather in one kingdom of yours, because the two Romes have fallen, and the third stands; and there will not be a fourth” (For the entire text, see: “The message of the elder Philofey to the great prince Vasiliy” – In: Pamyatniki literatury Drevnei Rusi, item 6: End of the XV – first half of the XVI century, M. 1984, p. 441) .
[6] The heresy of the “Jews” is a religious movement that arose in the second half of the 15th century among the Russian clergy and high society in the most cultural centers of Russia – Novgorod, Pskov, Kyiv and Moscow. The heresy was a mixture of Judaism and Christianity, it denied the dogma of the Trinity, of the Divinity of Jesus Christ and the Redemption, it preferred the Old Testament to the New, it rejected the creations of the Holy Fathers, the veneration of relics, of holy icons, etc. Follows to note also that the question of the essence of this heresy belongs to the darkest problems in the history of Russian sectarianism, since its characterization was necessarily carried out with the help of denouncing words; words biased towards her and having no precise idea of the nature of the doctrine which had to be denounced.
[7] Nil Sorsky (in the world – Nikolay Maikov; 1433-1508) was the founder and head of “non-proprietaryism” in Russia – an opponent of church land ownership at the council of 1503 in Moscow and a supporter of the reform of monasteries on the beginnings of the Scythian life and the personal work of the monastics. He also develops the idea of ”smart work” – the special kind of prayerful contemplation, also known as hesychasm. The general direction of Nil Sorsky’s thought is strictly ascetic, calling mainly for inner spiritual asceticism, which distinguishes him from the concepts of asceticism among the overwhelming majority of Russian monks of that time.
[8] That is to say – the pursuit of profit, i.e. self-interest.
