Genmab Announces that Janssen has been Granted U.S. FDA Approval for DARZALEX FASPRO® (daratumumab and hyaluronidase-fihj) for Patients with Newly Diagnosed Light-chain (AL) Amyloidosis – Book Publishing Industry Today – EIN Presswire
40 McNuggets for $13.99 sounds like an unbelievable deal. So, maybe it is.
Groups like the Sustainable Food Trust are on a mission to demonstrate how, in the current commodity food system, big corporations can offer shockingly low prices and still rake in profits because they cut corners at every step along the supply chain, offloading long-term costs onto the public while duping them into thinking their dinner was a bargain.
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For example, companies pay wages too low to support families, shifting a portion of their labor costs onto taxpayers (in the form of nutrition benefits and housing subsidies). They concentrate hundreds of thousands of chickens in one place, and when waste pollutes waterways, taxpayers pay to clean them up. Ammonia from the concentration of animals in confinement leads to high rates of asthma in surrounding communities, raising healthcare costs for neighbors.
“When you add up all of these hidden costs, cheaper chicken isn’t so cheap after all,” the narrator says in the video “A Tale of Two Chickens,” produced by the Sustainable Food Trust.
But is it really possible to add those costs up? And even if you could, would it lead to meaningful changes in the system?
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Proponents of “True Cost Accounting,” a framework to holistically evaluate the impacts of food production systems, say the answer to both of those questions is “yes.” And the movement is gaining traction among global non-profits, academics, and forward-thinking businesses. In January 2020, the Johns Hopkins Center for a Livable Future published an academic report on True Cost Accounting that summarized publications and approaches that currently exist and outlined opportunities for further research. In May 2021, an anthology of essays called “True Cost Accounting for Food” that includes real world examples of applying True Cost Accounting to food system change and features prominent contributors like Kathleen Merrigan and Ricardo Salvador will be released. (Fun fact: one of the most high profile proponents of TCA is His Royal Highness, Charles, Prince of Wales. Prince Charles spoke about TCA at a 2013 conference in London and is the “patron” of the Sustainable Food Trust.)
Experts say the framework is a compelling tool that could inform future food policies, business practices and consumer choices in a way that tackles many of the biggest issues of the day — like the climate crisis, racial justice, hunger and obesity and economic inequality — at once. But it also lacks uniform metrics, has yet to be widely applied in real-world scenarios and requires policymakers and CEOs to embrace a complexity and depth of analysis that is far beyond the current norm. And in the private sector, companies externalize their costs for a reason. Getting business leaders to care about their impacts and to make changes that will likely affect their bottom line is almost always an uphill battle.
Here’s what you need to know about True Cost Accounting and how it might contribute to building a better food system in the near future.
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What is True Cost Accounting?
In compiling the Johns Hopkins report, research associate Anna Aspenson found that while most shared values and principles, definitions of True Cost Accounting (which is often referred to as TCA) vary, especially in terms of scope.
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“A good working definition for me is that True Cost Accounting is an initiative aimed at expanding our current economic methods for understanding the diverse impacts of various [food] production systems,” Aspenson said.
Many groups take the idea of “capital” and reframe it to include not just goods and money, but other forms of “capital,” like social, human and natural. And a huge component involves measuring what food companies call “externalities.” These are negative effects of activities within the supply chain, like pollution, biodiversity destruction and worker health issues, which companies are not held responsible for.
“Ideally, what you would have in a True Cost Accounting system is a measure of the cost of doing certain things, and that includes secondary costs. So let’s say you put a bunch of antibiotics into a system. Then, we’re looking at the cost of treating antibiotic-resistant diseases later on and trying to make some cost assessment of that externality,” explains Urvashi Rangan, Ph.D., a sustainable food systems expert and the chief science advisor for FoodPrint. “Assessing what we call ‘externalities’ that are not accounted for in the cost of doing business or in the price tag are important.”
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On the flipside, Barbara Gemmill-Herren, Ph.D., said that measuring and including what she calls “positive externalities” that benefit the public — such as producing nutrient-dense foods, conserving biodiversity, or reducing greenhouse gas emissions — is just as important to TCA.
Gemmill-Herren is a sustainable food systems professor at Prescott College and a senior associate for the World Agroforestry Centre in Kenya. Previously, she joined the United Nations’ Food and Agriculture Organization to coordinate pollinator work globally and then led an initiative to promote agroecology. That initiative led her to TCA, as a possible tool for communicating the benefits of agroecological methods.
“Conventional agriculture produces higher yields . . . through inputs replacing ecosystem services and then a lot of negative externalities,” she said. Many people she encountered in agriculture policy used yields as the primary measure of performance, but what if you looked beyond yields, she thought, especially given yields are higher than necessary in countries like the U.S.? “I know this from pollination, that if you really run an accurate ecosystem on ecological principles, it can generate positive externalities. [It’s true] for pollinators in Kenya, and they’ve found the same in New Jersey, that organic farms can have an incredible diversity of bees, including rare and endangered bees. The crops are full of flowers and full of nectar, and they’re not getting hit by pesticides. So respecting the positive externalities of agriculture, I think, has to be part of the whole movement for change.”
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How does True Cost Accounting work?
Of course, getting from this philosophical idea of accounting for the many impacts — both positive and negative — of various systems to a tool that can actually be applied is tricky. (We should mention that our idea of a FoodPrint is basically a consumer-facing form of TCA, since we encourage people to take into account all of the impacts of their food choices, from animal welfare to social justice and public health.)
In the Johns Hopkins report, Aspenson outlines various frameworks that have been developed, and some of the work overlaps. Many organizations in the field are working to apply the TEEBAgriFood Evaluation Framework, which is the most used (despite its unwieldy name). In September, the Global Alliance for the Future of Food (GAFF) published a report with guidance on how to apply the overarching framework. The same month, guidelines to help businesses use the framework were produced by a coalition including the Natural Capital Coalition, the U.N. Environment Programme, and the European Union, and the Natural Capital Coalition is also doing TCA trainings for businesses in Brazil and Mexico.
Still, a lot of the work is guidance and reports. How is it actually applied on the ground?
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GAFF has funded a few studies that apply the framework, including one on corn production in Minnesota. And Gemmill-Herren cited a few examples that came out of work done by the U.N. Environment Programme and funded by the EU. In Indonesia, a team studied and presented the benefits of investing in agroforestry over palm oil plantations using a TCA framework. “It really did convince the Indonesian government to incorporate a large investment in agroforestry in their five-year plan,” she said.
In Senegal, the government was considering taking out very large loans to intensify rice production using industrialized inputs and irrigation. To convince them otherwise, Gemmill-Herren led a study using TCA to show the impacts of that system compared to investing in alternatives. “They depend very heavily on rice and they import a lot, so you can understand how they want to ramp up production,” she said. But by applying a systems model, she was able to outline what repaying those loans with interest would mean for the country compared to what would happen if they invested the same amount of money in farmer training on agroecological approaches to rice production. “We could really document what the impact would be not just on the production of rice, but on many other aspects like women’s empowerment and youth employment. You look along the whole value chain and look at the idea of investing in smaller-scale rice mills and being able to employ the local community, and the local community being able to take some of the rice byproducts to feed livestock, for example,” she said. “This government has really . . . embraced agroecology and I think not only this one study but these kinds of studies help them to say ‘this is the way we should be going there.'”
These examples all relate to policy making, but TCA can also be applied by private businesses to evaluate their practices and make positive changes within their supply chains.
Eosta, an international organic produce distributor based in Europe, uses a system it developed using a TCA framework to evaluate its growers and communicate their process to consumers. The framework includes social, economic and climate impacts, organized into a “sustainability flower.” Each grower’s practices and scores across the metrics measured in each petal, like biodiversity and health, are then made available online. For example, Hugo Sanchez grows organic apples and pears for Eosta in Argentina. His sustainability profiledetails his use of compost for soil health and calculates what it calls the “benefit for society” that improved soil creates, among other impacts.
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Rangan says other companies, like Danone (makers of Dannon yogurt and other products), are working on some version of this kind of accounting behind the scenes. “Danone is a company that’s really dedicated themselves to this effort. A lot of that is going on in the background. The company wants to know where the real savings are and where the real expenditures are, and in many ways, it’s True Cost Accounting,” she said. Of course, while some companies are truly mission-driven and operate based on principles that drive them to minimize negative impacts, most will externalize costs as often as they can if it helps their bottom line. Except, as consumer attention to how food impacts health, workers, and climate change increases, companies may see accounting for negative impacts and improving their practices as potentially profitable. For example, Eosta specifically lays out the fact that the sustainability flower is used to monitor and manage farmer practices but also to market “the added environmental and social value to help farmers capitalize on their social and environmental performance.”
“I think the question is: When does it go from internal accounting for a company to a marketing plan? It’s really important because that provides an important foundation for them making these kinds of claims to the public,” Rangan said. For example, Chipotle’s recent impact tracker is an attempt to market how the company operates differently compared to others and how it is improving its performance on several different environmental and health impacts. As more restaurants add metrics like carbon labeling to their menus, TCA could make it possible for them to go deeper.
The future of True Cost Accounting
The systemic nature of TCA evaluations can be both a strength and a limitation. One challenge is convincing governments and companies to actually value all of these elements (like fair wages and health outcomes) and another is actually coming up with a number to compare the “true cost” of a food like a McNugget.
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“Being able to put a cost on something can be a valuable tool in getting to change, especially policy change,” Rangan said. “That said, there are some things you just can’t put a value on. Social justice is one of those things that’s pretty difficult to put a dollar value on, so in those cases, it may be that you need to do some other semi-quantitative or qualitative assessments in order to communicate accurately what the value or benefit or the cost is.”
That kind of assessment might be valuable in a policy discussion but is much harder to boil down to a price tag. And then, if you are able to come up with a number, and it’s clear that a system is costing the public on some front, what then?
Waiting around for companies to respond to consumer pressure likely isn’t enough. Some TCA supporters advocate for a “polluter pays” model that would essentially try to get the companies to internalize those “externalities.” But Aspenson said especially when it comes to impact on human lives and on climate change, that kind of model won’t be enough, either. “We might have some money in our bank from the polluter, but this is a question of survival. It’s like our house is on fire and we’re counting which pennies to save,” she said. “We don’t want to get paid for someone’s chance to degrade irreplaceable resources.”
What Aspenson advocates is using TCA evaluations to argue for much deeper structural changes to the food system. “Economic arguments are incredibly useful in our current policy making system, but we need to have this long-term, common goal of economic and cultural change, because capitalism just won’t save us. It got us into this current situation, and I think True Cost Accounting needs to reckon with that. What does an accounting system look like that uses practical economic terms, but also supports that long-term goal of economic change and deep change?” In other words, McNuggets shouldn’t be more expensive, they should be history.
Stupa is a hemispherical structure containing Buddhist relics and place of meditation used by Buddhists monks. In the period between the Mauryas and the Guptas the older stupas were greatly enlarged and beautified. Of these three are noteworthy—those at Bharhut and Sanchi in Madhya Pradesh, and at Amaravati in the lower Krishna valley.
The word ‘Stupa’ is said to have been derived from the Sanskrit root ‘Stu’ meaning ‘to worship’ or ‘to praise’. The Stupa developed as the nucleus of Buddhist faith and worship, but its origin cannot be regarded as Buddhist for evidence of its roots date back to c. 2000 B.C.
Burial mounds containing relics were raised from earth and rock according to an age old custom that had survived from as early as Neolithic times. These burial mounds were also common during the lifetime of the Buddha and he instructed his disciples to erect them at cross-roads to commemorate great kings, sages and heroes.
A budget of Rs 4.47 crore will be spent on developing the mound of ancient Buddhist stupa situated at Kurukshetra University.
As per the PWD (B&R), the site is under the Department of Archaeology and Museums, Haryana, and it has entrusted the PWD to execute the project. As per information, the site is among the state-protected monuments and sites.
The Executive Engineer, PWD (B&R), Arun Bhatia, said, “A tender was floated for the project and it has been received. Its technical bid will be opened at the headquarters and the tender will be allotted this month. The project is set to start in February. Besides the beautification work, pathways, eatery shops, and toilet blocks will be constructed under this project. A budget of Rs 4.47 crore has been received from the Archaeology Department.”
Mound spread over 3 acres
The mound is spread over an area of nearly 3 acres and the height of the mound is around 4 metres
During the archaeological excavation, five burnt brick structures were recovered at the mound
While the first three structures belong to the Kushana phase, one is related to the Gupta period, and the last structure has four successive phases which belong to the Vardhana period to later medieval period
The Deputy Director, Department of Archaeology and Museums, Haryana, Dr Banani Bhattacharyya, said, “Buddhist stupa is an iconic site and it is being developed accordingly. We will preserve the mound and the sanctity of the site. A garden will be developed there and there will gazebo and fountain. There is also a provision to install a statue of Buddha. The tree plantation will be carried out by the Forest Department. The construction work has been handed over to the PWD (B&R).”
Thanesar MLA Subhash Sudha said, “Different projects are being carried out in Thanesar to develop it as a major tourist destination. A proposal to develop the Buddhist stupa situated at Kurukshetra University was sent to the state government and it was cleared. The project will start in February and it is to be completed within a year. Every year, lakhs of pilgrims and visitors come to Kurukshetra. After the completion of the project, it will become a new tourist destination near the Brahma Sarovar and we are hopeful that it will attract more visitors.”
Buddha’s footprints are in Bihar and Uttar Pradesh, recent study revealed that Haryana also hosts many Buddhist heritage sites.
One such city is Kurukshetra where upholder of peace Lord Buddha himself came and preached peace and compassion to people in past. Archaeological site of Buddhist stupa is situated on the western bank of holy Brahamsarovar. Buddhist stupa and 1300 year monastery relics on the eastern boundary wall of Kurukshetra campus provide the city a distinct Buddhist character. Very few know that Kurukshetra has had it brushes with Budddhism. The stupa is believed to date back to the 7th century A.D. It was Buddha himself who brought the faith to Kurukshetra where he delivered his discourses in Thullakotthita and Kamasadamma identified by historians as Thanesar and Kaithal. The remains of Buddhist stupa have been written by Huien Tsang, the Chinese traveller.
Buddhism has always been a part of Indian culture and religion. It gained great importance during the reign of king Harshavardhana.
Friday, 15 January 2021, 6:59 am Press Release: Euro Med Monitor
14 January 2021
Today, Euro-Med Human Rights
Monitor published a new report that documents and analyses
the involvement of Frontex in Greece‘s illegal pushbacks of
migrants and asylum seekers to Turkish waters and the
various violations of International and EU human rights laws
entailed.
The report, entitled “Frontex:
Accountability Declined”, highlights a pattern of
the excessive and alarming autonomy of Frontex, as its
budget, role and staff are augmented by the EU without clear
legal boundaries.
In the 10 pushbacks presented,
carried out by the Greek Coast Guard in the Aegean Sea
between March and October 2020, Frontex vessels were either
in close proximity or directly involved. Yet they did not
immediately rescue the migrants in distress at sea nor did
they report the abuses witnessed, as international and
European law, together with the Frontex Code of Conduct
itself, demand. On the contrary, Frontex dismissed the
allegations, discouraged crews from filing reports on
pushbacks, and, in some cases, stopped initial alerts of
violations from being filed.
The episodes presented in
the report stand out for the severity of the violations
committed, the detailed evidence reported, and the reactions
provoked so far at the European level. The allegations
led the EU Ombudsman to open an inquiry and the EU Home
Affairs Commissioner to call for two extraordinary Frontex
Management Board meetings and to establish a Working Group
on fundamental rights. It will verify the allegations and
deliver its first report next meeting, on January 21, 2021.
In the meanwhile, several European MEPs have called for the
immediate resignation of Frontex Executive
Director.
Euro-Med Monitor’s report aims to
contribute to increasing the momentum and pressure on the
European Commission to take concrete actions towards ending
Frontex’s violations and increasing its
transparency.
“As the role and the powers of Frontex
grow alarmingly, with an increasing budget of over 460
million Euro and new and controversial
military drones to surveil the Mediterranean, its
involvement in Greek pushbacks increases, and so should its
accountability,” Michela Pugliese, Legal Researcher at the
Euro-Med Monitor.
The report stresses the need to hold
Frontex into account. While return decisions and asylum
applications are the responsibility of Member States,
Frontex has the competence to ensure human rights’
compliance at the European external borders, to prevent
violations from occurring and to report it when it witnesses
one.
In the report, the Euro-Med Human Rights
Monitor formulate several recommendations calling inter alia
on:
Frontex to
immediately halt the illegal pushbacks of migrants to
Turkey; to conduct a transparent investigation and prosecute
all officials involved; to ensure that its operations and
partners are consistent with human rights’ obligations;
and to significantly enhance the information available about
its operational activities at
sea.
Europe to hold
Frontex, as well as Greece, accountable for their pushbacks
and other violations committed at the European external
borders; to impose more stringent transparency and
accountability measures over Frontex’s practices; to
ensure that Frontex activities fully respect international
human rights and refugee law, as well as the law of the sea;
and to quickly put in place an independent monitoring
mechanism.
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ATHENS: Greece called on Thursday on European Union authorities to better enforce a landmark 2016 migrant deal and ensure that Turkey take back nearly 1,500 people whose asylum requests were rejected.
Greek Migration Minister Notis Mitarachi said his government had submitted a “request” to the European Commission, the EU’s executive arm, and the Frontex border agency “for the immediate return to Turkey” of just under 1,500 “third country citizens who are not entitled to international protection.”
Under an EU-Turkey 2016 pact that sharply stemmed the flow of migrants to Europe, Ankara had undertaken to take back migrants not entitled to international protection, in return for billions of euros in aid. But Ankara has long accused the EU of not fulfilling its end of the bargain while it continues to host more than 3.6 million Syrian refugees.
“Europe needs to establish a common mechanism to address this issue within the new Migration and Asylum Pact, as well as implementing the necessary legal and operation mechanism for achieving returns,” Mitarachi said in a statement.
Among asylum claimants whose applications had been “conclusively” rejected on appeal, 995 are in Lesbos, 180 in Chios, 128 in Samos and 187 in Kos, the migration ministry said.
Britain turned down an EU proposal for visa-free travel for performers and journalists in post-Brexit talks, the European Union’s chief negotiator Michel Barnier said in a briefing published Thursday (14 January).
His assertion, backed up by a copy of the proposal, deepens a row with London over the issue.
British pop stars, including Radiohead’s frontman Thom Yorke, have denounced the British government for not securing visa-free rights.
But British Prime Minister Boris Johnson told UK lawmakers Wednesday “that’s not true… we wanted to have reciprocal rights for musicians to tour”.
In his briefing to a group of reporters, including from Belgium’s L’Echo newspaper, Barnier emphasised that Britain was determined to do away with freedom of movement during negotiations.
“I very much regretted that the British didn’t have more ambition for people’s mobility,” he said.
“From last March, we made fairly ambitious proposals in terms of mobility, including for specific categories such as journalists, performers, musicians and others. But you need to be two to make a deal,” he remarked.
Under the EU-UK post-Brexit deal struck last month, only workers on a short list are permitted to visit the other’s territory without a visa to carry out certain duties, subject to national laws in some EU countries.
They include businesspeople attending meetings or trade shows, transfers within a company and tourism personnel.
Musicians, actors and other performers, and journalists, are not on the list, meaning in some EU countries they would have to obtain visas, permits and/or customs clearance for any equipment.
As they would be carrying out paid work, in most cases the 90-day visa-free access for tourists and other short-stay visitors would not apply.
Yet Johnson appeared to confuse the two systems when he told MPs: “What we have is the right for UK musicians to go to play in other European countries, in EU countries, for 90 out of 180 days.”
Slovenia’s government has resumed funding for the country’s national news agency after pressure from the European Union.
The Slovenian Press Agency (STA) had been heavily criticised by Prime Minister Janez Janša, who described the agency as a “national disgrace”.
Questions over funding had been raised by the Slovenian government in December after the agency’s management allegedly failed to provide the required documents on the company’s accounts.
Slovenia told Euronews that no official decision had been made and it had only been informed of the possibility to suspend finance. The government had also asked Brussels whether the payment of such state aid to the press was not contrary to competition law.
For its part, the STA had said it refused to provide information on employees and editorial work, accusing the country’s government of violating “freedom of the press”.
But Slovenia has confirmed that the agency will regain its subsidies after Ljubljana received a letter from European Commissioner Margrethe Vestager on Wednesday.
“On the basis of the communication, a payment was provisionally approved … pending a final decision by the European Commission,” the government’s communication office stated.
The STA, founded in 1990, receives around €2 million per year through a service contract.
BROOKSVILLE — Canadian designer Destiny Seymour didn’t play with dolls as a child. The Manitoban would sit in the back of her mother’s hair salon and make houses for dolls, which she would give away to her friends.
Seymour, a member of the Anishinaabe First Nation tribe, designs fabric. She is one of 25 profiled in “Modern Fabric: Twenty-Five Designers on Their Inspiration and Craft” (Princeton Architectural Press), published in 2020. The book was written and compiled by Brooksville fabric artist Amelia Poole and Fiddlehead Artisan Supply owner Abby Gilchrist. The Belfast store specializes in contemporary fabric as well as art and craft supplies.
In Melborne, Australia, fabric designers Lara Cameron and Caitlin Klooger hand-print fabric on their 42.6-foot worktable. Their studio is Ink & Spindle. Arizona artist Bari J. Ackerman created the shoulder bag and fabric. PHOTO COURTESY INK & SPINDLE
“There aren’t many books about fabric designers,” said Gilchrist. “How to design yes, but there aren’t many books about the fabric designers themselves and their processes and stories.”
Poole added, “Many times, when designers are written about, the focus is the designer’s latest collection.”
Sarah Stemen, a senior editor at the Princeton Architectural Press, said, “We wanted readers, crafters, sewers, and interior designers to have a ‘go-to’ book about today’s most exciting and inspiring fabric designers.”
“At Princeton Architectural Press, we focus on art, design, architecture and beyond,” said Stemen. “Fabrics and textiles play a huge role in how we experience our surroundings; from the clothes we wear to the patterns and colors we select to enliven our homes. What is the story behind these designs?”
Although she could see Navajo designs from the United States’ Southwest, Seymour’s story was that she wasn’t finding any designs that represented her indigenous people. So, she created her own line.
Through her enterprise Indigo Arrows, Seymour incorporates and highlights the Anishinaabe’s pottery motifs and bone tools on linen pillows, table runners, napkins and other textiles. She draws inspiration (no pun intended) from the shards of pottery in the Manitoba Museum collections. The artifacts range in age from 400 to 3,000 years old.
Seymour’s personal story is just one of many in “Modern Fabric.” From around the world, the profiled fabric designers are many and range widely from Bari J. Ackerman in Arizona to Yumi Yoshomoto in Yamanashi and, closer to home, Erin Flett in Gorham. From so many to choose from, how did the book’s authors winnow their list of prospective subjects?
Brooksville textile artist Amelia Poole (above) and Fiddlehead Artisan Supply store owner Abby Gilchrist (left) co-authored “Modern Fabric: Twenty-Five Designers on Their Inspiration and Craft.”
Aesthetically speaking, Poole and Gilchrist’s primary criteria was whether the designer’s fabric would be a fit for Fiddlehead Artisan Supply. Diversity was also figured in their selection of subjects. The authors said they didn’t want to just present the most established designers or those representing one element of the fabric design industry.
Poole and Gilchrist then interviewed the 25 designers in person, via email and by telephone. They also attended the annual The Quilt Market in Houston, where they landed interviews with some of the biggest names in the fabric world, including Kaffe Fassett (rhymes with “safe asset”).
Fassett was the first living designer to have an exhibit at the Victoria and Albert Museum in London in 1988 and is known for colorful, extravagant designs.
They also searched for less known designers.
“We wanted to feature a range of modern design styles and methods and types of production,” they wrote in the wrote in the “Modern Fabric” preface. “We found a broad array: designers who work with fabric companies and those designing independently, those who design for large-scale production and those who screen print or block print their own designs.”
The book is packed with vivid, colorful photographs of each designer’s work as well as their workspaces. The images capture their processes for designing and in some cases manufacturing their pieces.
Gilchrist curated the photos for which there were thousands of possibilities. The designers supplied most of the photos, but Gilchrist shot a few herself.
London designer Sally Kelly created a limited-edition print “Twilight Dancer” during the United Kingdom’s coronavirus lockdown earlier this year. PHOTO COURTESY SALLY KELLY
“It was just so much work to go through all the photos,” she said. Some designers would send a carefully edited package of photos that they felt best represented their work while others simply sent a Dropbox link for all of their images and said “have at it.”
“I worked really hard to match the photos to the text and have all the images work together,” Gilchrist said.
What defines modern fabric exactly? There is no easy answer.
“Initially, we thought there was a definition for modern fabric,” Poole said “But, it’s an overall indefinable aesthetic and each has their own take on that.”
“Kaffe Fassett and [New York designer] Giuseppe A. Ribaudo design fabric for the projects they have in their heads,” Poole said. “They’re designing very particular fabrics in order to make the quilts they want to make. Either because they couldn’t find the fabric they were dreaming of or had specific ideas.”
Other designers are inspired by trends on social media or historical textiles and imagery or just deep thoughts about their work.
Serbian artist Katarina Dragutinovic Roccella painted seashells by hand and then created digitized images of them to print fabric with.
“Destiny [Seymour] is bringing her ancestors forward,” Poole said. “They’re of course gorgeous fabrics for anyone as well.”
Destiny Seymour sums up her aim in the Indigo Arrows website’s about page:
“For thousands of years, indigenous peoples in Manitoba, including my Anishinaabe ancestors, created beautiful patterns to adorn their pottery collections and host of bone tools,” she writes. “Most of the surviving pieces are held by museums now, but I think the world needs more than exhibition. We need these patterns in our homes provoking thought; we need them bridging gaps; and, we need them inspiring our loved ones. The Indigo Arrows line picks up where my ancestors left off.”
“Modern Fabric” can be purchased online or at Fiddlehead Artisan Supply at 64 Main St. in Belfast. To learn more about the shop, visit fiddleheadartisansupply.com. To learn more about Amelia Poole and her fabric designs, visit ecouturetextilestudio.com.
News Reporter Jennifer Osborn covers news and features on the Blue Hill Peninsula and Deer Isle-Stonington. She welcomes tips and story ideas. She also writes the Gone Shopping column. Email Jennifer with your suggestions at [email protected] or call 667-2576.
Tedros Adhanom Ghebreyesus, the WHO Director-General, was addressing the latest session of the Emergency Committee on COVID-19 established under the International Health Regulations (IHR), a treaty that guides global response to public health risks.
The new coronavirus that sparked the pandemic first emerged in Wuhan in December 2019. Tedros reported that most of the 15 members of the delayed mission are now in the city, although two people are still in Singapore awaiting COVID-19 test results.
“All members of the team had multiple negative PCR and antibody tests in their homes countries prior to traveling”, he said.
“The team members who have arrived in Wuhan will be in quarantine for the next two weeks, and will begin working remotely with counterparts in China. They will then continue their work on the ground for a further two weeks.”
Thursday marked the sixth meeting of the IHR Emergency Committee on COVID-19.
Members first convened a year ago, when there were less than 560 cases of the new disease. Today, more than 90 million cases have been reported globally, and the death toll has almost reached two million.
Tedros said although the rollout of COVID-19 vaccines represents “hope of light at the end of the tunnel”, focus is now on ensuring all countries can access them on an equitable basis.
He also highlighted two urgent issues for the committee’s attention: the recent emergence of multiple new variants of the virus, and the potential use of vaccination and testing certificates for international travel.
“One theme ties both issues together: solidarity”, said Tedros. “We cannot afford to prioritize or punish certain groups or countries. We are all in this together, and we must all come out of it together.”
Challenges in Africa
Meanwhile, the UN agency has warned of the need to avert a “runaway surge” of infections in Africa, as cases there top three million and new variants of the virus emerge on the continent.
COVID-19 cases have risen steadily since mid-September, with a steeper rise from late November, and could increase in the wake of the Christmas and New Year holidays due to travel and festive gatherings.
Dr. Matshidiso Moeti, WHO Regional Director for Africa, said although virus mutations are not surprising, preliminary analysis reveals that a new variant circulating widely in South Africa, known as 501Y.V2, is more transmissible.
“Even if the new variant is not more virulent, a virus that can spread more easily will put further strain on hospitals and health workers who are in many cases already overstretched”, she said.
“This is a stark reminder that the virus is relentless, that it still presents a manifest threat, and that our war is far from won.”
WHO is supporting African countries with reinforcing genome sequencing efforts, key to finding and understanding new COVID-19 variants.
So far, 501Y.V2 has been identified in Botswana, the Gambia and Zambia, while Nigeria is further investigating another variant found in samples collected in August and November. The virus variant circulating in the United Kingdom has not been reported on the continent.
LONDON (AP) – British musicians are demanding that the UK government faces the music after new post-Brexit regulations failed to consider their unique work lives and left them in the lurch.
